GLOW (and Netflix New Additions)

It seems like every few days there’s another fifty things added to Netflix and my list gets longer and longer. Have you watched GLOW yet? It was released a few weeks ago and I watched all eight half-hour episodes over the course of four evenings. It’s based on a real-life phenomenon, the Gorgeous Ladies of Wrestling, a women’s professional wrestling promotion that debuted in America in 1986.

Alison Brie stars as Ruth Wilder, a struggling actress down to her last few dollars and desperate for work. A casting director tells her about the GLOW auditions and despite her initial aversion she tries out. Dozens of women turn up for the first audition and they are whittled down to fourteen, all of whom must create compelling personas for the ring. Well, maybe not so much compelling personas as egregiously offensive stereotypes. An African-American woman becomes ‘The Welfare Queen’, there’s a Indo-American character called ‘Beirut the Mad Bomber’, and a heavy-set girl is given a quick Peruvian makeover and cast as ‘Machu Picchu’.

Ruth’s former best friend Debbie Eagan (played superbly by Betty Gilpin) is cast as the main attraction ‘Liberty Belle’, the all American girl. She needs an antagonist and GLOW’s director decides to capitalise on the fraught relationship between the two girls so Ruth becomes ‘Zoya the Destroyer’. Given the Cold War was still in effect when GLOW began, you can see he didn’t reach far for inspiration.

As a series GLOW has a lot going for it: well-written characters to root for, a great soundtrack, cheesy training montages, moments of pure hilarity and moments of genuine emotion. Although the original GLOW was clearly created for the male gaze, the TV show focusses on female empowerment, demonstrating that women can get just as much of a kick out of wanton (albeit completely staged) violence as men. (And in fact Betty Gilpin wrote a fascinating and funny article for Glamour magazine where she talks about the body confidence she found in playing her character.) GLOW is definitely one to watch if you haven’t already and I’m keeping my fingers crossed that series two is green-lit.

And if you’re looking for a movie to watch this weekend there are new additions to Netflix that I’ve already reviewed, all of which I’d recommend: Bernie, While We’re Young, Chef, and Trumbo.

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April Random Round Up

The Drinks Business did a feature on A Drink of One’s Own, a book of cocktails inspired by great literary ladies. I like the sound of the Virginia Woolf and the Zelda Fitzgerald.

Here’s a terrifying article on Vanity Fair about Elon Musk’s billion dollar crusade to stop the AI apocalypse: ‘Many tech oligarchs see everything they are doing to help us, and all their benevolent manifestos, as streetlamps on the road to a future where, as Steve Wozniak says, humans are the family pets.’

As a result of that article I started following the brilliant Twitter parody account Bored Elon Musk, ‘thoughts and inventions from Elon in his downtime’: ‘News app that connects to a blood pressure monitor and adjusts your feed accordingly.’ and ‘Podcast app that connects to Google Maps and finds you a perfectly timed episode based on your commute.’ have been two of my recent favourites.

These floor plans of famous TV homes are kinda fascinating. If I could choose to live in any of them it would be Frasier’s, and not just because it’s one of my favourite shows.

I reviewed Big Little Lies on the blog yesterday and the always brilliant Anne Helen Petersen talks about Nicole Kidman and her performance in this article for Buzzfeed: ‘There’s a subtle implication that when a woman, especially a beautiful one, makes her way onscreen, it’s usually because of her looks or her body — not her talent. When a performance speaks truth to that lie, it’s a revelation.’

I adore stationery and collect notebooks, justifying it to myself because I need them for writing. I may also have to justify a couple of these sets of pencils from LZPENCILS on etsy. The sets are themed and each pencil has a different saying engraved on it. The Beyoncils are a great gift for any Beyonce fan but I want the Harry Potter and Heathers sets.

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Colossal hits our screens in May. It’s a science fiction comedy whereby Anne Hathaway manifests as a giant monster terrorising South Korea. It sounds bonkers, it looks bonkers, and I can’t wait!

That’s all from me for April. For those of you in Ireland have a great Bank Holiday weekend!

Big Little Lies

So how many of you were gripped by Big Little Lies which finished up on TV last Monday? Everyone that I spoke to adored it as did I, and the performances were the best thing about it. The show focussed on a group of women in Monterey, mothers whose children go to the same school. An incident between two children kicks off the plot and for the next seven episodes the series explores the lives of the women: their relationships, their conflict about stay-at-home mothering versus careers, and their interactions with each other.

Many male critics dismissed Big Little Lies as high-end soap opera, a condescending view that entirely misses the point. Yes, the characters live in Pinterest-worthy opulent homes, yes, they are expensively dressed and yes, the show revolves around a murder mystery, but the show is, at its heart, a character study superbly acted by the female leads: Reese Witherspoon, Nicole Kidman, Laura Dern, Shailene Woodley and Zoë Kravitz.

Kidman’s portrayal of Celeste, a woman locked in an abusive relationship, is a career best and it’s already generating award buzz. Her marriage isn’t a simplistic black and white ‘she’s good and he’s evil’ cliche, instead we see the intense love and passion between them intertwined with the extreme and frequent violence. Alexander Skarsgård’s performance as Kidman’s husband is so compelling that women may cross the street to avoid him for the rest of his life.

Reese Witherspoon decided to start her own production company, Pacific Standard, and develop her own projects because of a phenomenon she calls ‘Smurfette Syndrome’: being the only woman on a film set full of men. Her company has produced Big Little Lies, Wild, and Gone Girl, hugely successful projects with strong complex female characters which have challenged the notion that the film-going public aren’t interested in women’s stories. She’s admirable, a trailblazer within the industry.

Big Little Lies was originally conceived as a miniseries but due to its runaway popularity there is a rumour that it may be extended for a second series. As much as I loved it, I hope not, as the story was perfectly wrapped up and should stand alone. I can’t wait to see what Reese does next.

March Random Round Up

March was Women’s History Month, a concept I find kind of reductive because women are a part of and make history twelve months a year but moving on from that…here’s a list of groundbreaking female authors you should bookmark for your next book shop visit.

Zadie Smith’s beautiful story about Billie Holiday in the New Yorker is seriously worth reading.

This month I watched Season 2 of Love on Netflix and had mixed feelings about it. Gillian Jacobs’ performance is one of the highlights. One of the not-so-great things about the series is this.

Royal Blood are releasing their second album later this year and they’re teasing us with this studio clip. Bring. It. On.

The upcoming documentary Kiki looks amazing, a new take drag ball culture which first reached mainstream popularity in Paris Is Burning.

Speaking of drag, Netflix has struck a deal whereby new episodes of Rupaul’s Drag Race are streamable the day after they’re broadcast in the US. Season 9 is two episodes in and Valentina’s my early favourite.

Get Out

Anyone who knows me knows that I am not a fan of horror films, so when I suggested to a friend of mine that we go see Get Out she was stunned. But the hype and rave reviews all mentioned that it was a lot more than just a simple horror movie so we went to see it on Tuesday, after I made her promise that if I got very very scared she would hold my hand.

Chris Washington (Daniel Kaluuya) has been going out with Rose Armitage (Alison Williams) for four months when she suggests a weekend visit to her parents’ house in the country. Chris agrees to go, but with some trepidation as Rose hasn’t told her white parents that he is black. Rose insists that her parents aren’t racist, that her father would have voted for Obama for a third term if he could, and Chris has no reason to worry.

When the two arrive at the Armitage’s large upmarket home Chris is a little disconcerted to see that the servants are black, but he is put at ease by Rose’s parents, Missy (Catherine Keener) and Dean (Bradley Whitford), both of whom are warm and welcoming. On the first night he sneaks outside for a cigarette and on his way back in is ambushed by Missy who gives out to him for smoking, saying that as she is a psychiatrist she could cure him of his addiction with hypnosis. She sits him down in her office and asks him questions about his mother’s death, hypnotising and then eventually paralysing Chris. He wakes up in bed with a start in the morning unsure whether the previous night’s events were real.

Later that day the Armitages have their annual garden party attended by their friends, all of whom are white. As Chris is introduced to them he becomes more and more disgusted by the racially insensitive comments they make and he eventually asks Rose if they can leave her parents’ house that night instead of staying over again as planned. But when they attempt to leave things get hellishly bizarre and even Chris’ worst fears are a day in the park in comparison to what the Armitages have in mind for him.

Get Out is more of a psychological thriller than a horror. There is no gore, nothing supernaturally freaky that makes you want to sleep with the lights on, and in fact there are several moments of real comedy throughout, many of which come from the character of Chris’ best friend Rod (Lil Rey Howery). Daily life in America for many black people is filled with a lot more real horror than anything this film has to offer.

Get Out is a brilliant satire of the ways in which white people who consider themselves liberals, who voted for Obama and are horrified by Trump, who condemn police brutality and consider themselves ‘woke’, can make life difficult and uncomfortable for black people. The film is a great commentary on race in America and thoroughly deserves the critical acclaim it has received. It’s in cinemas now – get on it!

Handsome Devil

Handsome Devil is an upcoming Irish movie that hits our screens on April 21st. It debuted at the 2016 Toronto Film Festival and it’s since played at the Glasgow and Dublin Film Festivals where it has been very well received. Handsome Devil is written and directed by John Butler, who was also responsible for one of my favourite Irish films of recent years, The Stag (also known as as The Bachelor Weekend), and it features a couple of familiar faces from that film including Amy Huberman and Andrew Scott.

Set in a rugby-obsessed boarding school, the film tells the story of the unlikely friendship between music nerd Ned (Fionn O’Shea) and handsome jock Conor (Nicholas Galitzine). It looks like a heartwarming coming of age story and I’m looking forward to seeing it next month.

Foil, Arms & Hog

Foil, Arms & Hog are an Irish sketch group comprised of Sean Finegan, Conor McKenna and Sean Flanagan. In an interview the first Sean explained the origin of the name: ‘I’m foil as in the comedic foil…the straight man who sets everyone up for their jokes. Arms is really clumsy. He’s all arms and legs, like a bit of a John Cleese…We called him Arms because he couldn’t do any of the straight roles…We didn’t know what to call Sean Flanagan, until we realised that he tends to hog the sketches…So Foil, Arms and Hog is basically the artsy version of boring, clumsy and selfish.’ (He appears to be prone to self-deprecation.)

They’re from Rathfarnham and met at university where they studied Engineering, Architecture and Genetics respectively. Over the last eight years they have toured in Ireland, the UK, Australia and the US. Their Youtube channel currently has over 75,000 subscribers and they upload a new video every Thursday, the most recent one being Fifteen Habits of the Mega Rich.

Some of my favourites are below but you should subscribe to their Youtube channel for a weekly bite-size dose of craic. I haven’t yet had the pleasure of catching a live show but am keeping an eye on their tour schedule.