(No posts for almost a month! Swine flu will do that to you, I guess. Yep, that’s right, swine Jaysus flu. I tried to deal with it by myself for two weeks and then admitted defeat and went to the doctor whereupon I was scolded, told I was a lot more sick than I thought, and put on various forms of medication. I very rarely get ill but when I do, it appears to be along the lines of ‘go big or go home’. Nearly better now though. And back to the matter at hand…)
I have never been a tech-fetishist. For me phones and computers are just devices that make life easier, like washing machines or hoovers. I don’t much care what they look like as long as they can do the basic job effectively. I have never owned an iPhone because the battery life sucks and the cameras on Androids are way better, and paying hundreds of extra euro for an Apple symbol just seems silly.
So for me, the massive outpouring of grief that happened when Steve Jobs died was bizarre. I found it hard to understand why people felt such a personal connection to a product and I didn’t get why people thought he was a genius. People like Steve Wozniak seemed to be the technical innovators. Jobs didn’t code, he didn’t design and he wasn’t an engineer. To me Jobs was just a savvy marketeer.
I watched two films to try and get more of a handle on why he was perceived as one of the greatest minds of his generation: Steve Jobs starring Michael Fassbender and directed by Danny Boyle, and Steve Jobs: The Man in the Machine, a documentary directed by Alex Gibney.
The film takes a three-act structure, with each act taking place before a huge product launch. It’s a great construct which enables us to see the kind of pressure Jobs put himself and everyone else under. At one point Steve Wozniak (played by Seth Rogen) questions what Jobs has really contributed to computing history and Jobs replies that he is the conductor of the orchestra and people like Wozniak are the musicians. It’s an interesting answer to my original question. Fassbender was nominated for an Academy Award for his performance and he is brilliant in the film, and the script by Aaron Sorkin is excellent.
The documentary is another feather in Alex Gibney’s cap, and provides a more rounded look at Jobs, containing interviews with most of the key figures in his life. He comes across as a fairly horrible individual. An early anecdote shows him ripping off a friend, claiming they got paid a tiny amount of money for a project when in fact Jobs just took the lion’s share for no reason other than greed. His rejection of his daughter Lisa is well documented, allowing her and her mother to live on welfare while he earned millions. He often publicly humiliated his employees and rarely gave praise. Excuses are made during the documentary, such as the fact that he never got over being adopted, or he was such a genius that his failings should be tolerated. I don’t buy this for a second and I certainly didn’t come away from the documentary filled with warm fuzzy feelings about Jobs.
Both films are well worth a watch, but they haven’t really changed my mind. Jobs was probably one of the best marketeers the world has ever known, but Wozniak emerges as the true genius. I suppose it’s emblematic of our culture that the promoter is deified rather than the revolutionary.